fallen verses

Ekphrasis

For my poetry workshop, we were supposed to write an ekphrastic piece. I knew the piece of art I wanted to write about, but I had some difficulties getting a good concept. After talking with my instructor a bit (and having to turn in the portfolio tomorrow), I wrote this:

On the Technique of George Seurat

It’s at the end of a long gallery. You can’t help but to stand in the doorway, just for a moment and look at Seurat’s masterpiece. It fills the entire wall at the far end. The time he must have put into it…
We stood, just like the thousands before us and the giggling teenage girls being quietly shuffled along by the art historian whose MA should qualify her for a job better than tour guide. We stood and looked over the parquet floors to see that little park in Paris.
The working-class man with his dog, the upwardly mobile strolling with parasols and gloved hands, strangers all, and inhabiting that moment together as they shared some purpose for being on that island.
(Seurat! What would your painting of this hall be? Would you catch the giggles of the girls or would prefer something less fleeting?)
We stood for our moment to take in the painting, stepped inside the gallery and sat on one of the benches. Ever the instructor, you told me about Seurat’s life, his influences, his technique. You suggest I take a closer look. I stand, look at you, expecting you to join me. A slight shake, “no.” My solitary footsteps, then, echo.
(Seurat! These frames lining the walls surrounding the work of your peers: would your keen eye see green in the shadowed recesses of their gilt scrollwork?)
I can’t see the whole thing as I near it…. I have to focus on smaller and smaller sections…. and Bernadette Peters really does look like this woman in the front…
Sunday in the park with…
The people start to get fuzzy, not blurry, their edges bleed into the trees and the trees into them…
Sunday in the park with…
“He used a technique we call pointillism. Instead of fields of color, the entire image is composed of dots of discrete colors. At a distance, they eye blends the dots together and you see the colors as if they were unified.”
Sunday in the park with…
Your voice blends into the moment in my mind and I see the dots: blues reds pinks even yellow in the dress… bright dots of spotlights… (Seurat! Seurat! How did you see all these colors? How close to the dress and the tree did you have to stand?) the small dots of atoms I will never see and the large dots of stars and the distance is dots of nothingness and your face, half shadowed above the bench in the distance…
On the interstate that night, you’re asleep in the passenger seat. As the headlights of oncoming traffic flit past, I see your face lit for just a moment. Ahead, the intermittent red of taillights.

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